Tending Ostreidae: Serenades for Settling

Tending Ostreidae: Serenades for Settling (Version 1) celebrates the listening body of the heroic oyster. Whereas other marine animals use chemical exudates or patterns of light, oysters determine suitable settlement habitats through a distinction of sound signatures in underwater soundscapes. They are also sensitive to loud sounds at certain pitches, which potentially disturbs their reproductive process.


Tending Ostreidae: Serenades for Settling (Version 1) celebrates the listening body of the heroic oyster. Whereas other marine animals use chemical exudates or patterns of light, oysters determine suitable settlement habitats through a distinction of sound signatures in underwater soundscapes. They are also sensitive to loud sounds at certain pitches, which potentially disturbs their reproductive process.

Tending Ostreidae: Serenades for Settling speculatively emulates an oyster’s habitat and the impacts of human noise disruptions, specifically within NYC’s waterways. In the installation, a simulated underwater environment of sound and visuals are generated in real-time, affected by data from local maritime traffic and weather conditions in New York Harbor. In this way the soundscape, composed of local field recordings of an oyster reef and synthesized sound, as well as visualizations, with animated graphics depicting water flows and the oysters’ lifecycle, queries the dynamic relationships between human activity and the wellbeing of oysters.

Together, with sound responsive robotic oysters in sculptural reefs, a dynamically generated visual and aural composition continually responds to the subaqueous sounds of the waterways that play throughout the space.

Through our speculative simulation of this sonically navigating being, and participatory and responsive engagement mechanisms, the artwork animates critical questions, such as: how do we listen for safe harbors, and what do they sound like? Can we amplify new ways to tend to the more-than-human-world and listen for how it tends to us? Can listening with oysters guide us to a politics of mutual tending?  

Testing sound responsive robotic oyster co-created with Center for Embodied Autonomy and Robotics (CEAR). Photo by Stephanie Rothenberg
Recording at the Billion Oyster Project’s Williamsburg Field Station. Photo by Stephanie Rothenberg
Recording underwater sounds at Billion Oyster Field Station, Bushwick Inlet. Image credit: Stephanie Rothenberg

Conceived and developed by Stephanie Rothenberg and Suzanne Thorpe in partnership with the Billion Oyster Project,  Professor Karthik Dantu, Director of the Center for Embodied Autonomy and Robotics (CEAR) at University at Buffalo and media artist Silvia Ruzanka. Technical support provided by sound artist  Travis Johns. 

Project awarded a 2022 Harvestworks Digital Media Arts Center residency and a 2023 New York State Council on the Arts Award (NYSCA). Additional support and funding through the Department of Art at University at Buffalo.

About the artist(s)

Stephanie Rothenberg’s interdisciplinary art draws from digital culture, science and economics to explore symbiotic relationships between human designed systems and biological ecosystems. Moving between real and virtual spaces, she engages a variety of media platforms that include interactive installation, drawing, sculpture, video and performance.


Suzanne Thorpe is an interdisciplinary artist-scholar whose creative research intersects electronic music, feminist and ecological theory. She interweaves critical listening practices with acoustic ecology, improvisation and technology to craft immersive sound engagements and creative research sites that question circulations of power within human and nonhuman systems.